archive | Yarn Stash + Destash

Blogging from the beach.

Wednesday, January 14th, 2009

This is all kinds of wonderful. I’m presently tucked into a little hostel by the beach in San Diego for a few days before TNNA, full up on super delicious fish tacos and enjoying more sunshine than I have seen in months. On Monday morning, I woke up at 4:30 am to make my early morning flight from Vancouver to LAX. The flight was short and sweet and the trek to get the rental car was easy. Mari and Rob (who came to visit Vancouver a few months ago and have amazing photos of Tofino) were so generous to host me for my first night in Los Angeles, but finding my way to Mari’s house was not so easy. I even rented a GPS but didn’t know how to use it… I kept going around in circles and the GPS kept saying I was “one minute from destination blah blah blah”. Anyhow, I finally met up with Mari and had the immense pleasure of sleeping under a quilt that she made herself!

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It’s breathtaking. She says it was easy to make… pshaw.

She was such a lovely host, showing me around town, and we crisscrossed Santa Monica in search of new yarn stores. One of the first stops was not quite a yarn store, but SO awesome. The Urban Craft Center is like a larger version of what I’d like to see my own studio become… it’s a communal craft center where people come to participate in a whole slew of crafts including everything from candle making to wet felting to scrapbooking to soap making. They have three Lendrum wheels on-hand for you to use and at least ten sewing machines. There are crock pots and drum carders and pasta rollers (for polymer clay?). Oh my. If I lived in Santa Monica, THIS is where I would spend all my spare time.

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They even have wool combs for you to borrow. I like that.

We also managed to slip into Wild Fiber and buy a tiny bit of yarn. This is the first time in such a long time that I’ve bought yarn for myself… personal stash yarn. It was such a welcome change of perspective and I left the store with a few skeins of Mirasol Tupa, a Peruvian silk-wool blend, some Trekking sock yarn, and a skein of Wollmeise sock yarn. Typically, the yarns I like tend to be expensive because they have some fabby combination of silk in them… or they are dyed amazingly… but one yarn I was seriously moved by was the Tanglewood handspun. Those skeins of handspun yarn often had cashmere, yak or angora in the blends. They were hand-dyed and then spun into big skeins with prices ranging from $60 to 150 a skein. For the amount of time, effort, and artistry put into those yarns, Tanglewood deserves every single penny.

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I know this is a crappy photo of the Getty building itself… but this is proof that we have cloudless bluebird skies.

This morning, after eggs for breakfast (yay!), we visited the Getty, a gorgeous building with equally impressive landscaping, followed by a trip to a new yarn store, Compatto, in Santa Monica. It was a crafty celebrity sighting as one of the girls who worked at the store instantly recognized Mari because of a pattern she had just published on Purl Bee _this morning!_

We drove to Manhattan Beach and stopped at another new yarn store, Twist Yarns of Intrigue. Compared to the large, spacious 2000 sq ft at Wild Fiber, Twist was tiny. _Maybe_ 400 or 500 sq ft? But it was filled from floor to ceiling with some of the most lovely and thoughtful yarns I’ve seen. The owner, Cathy, has plenty of Habu yarns stocked as well as Handmaiden, Dream in Color, Malabrigo, Be Sweet, and more. She herself was a graduate of a textile program where she learned to weave, but unfortunately, there is no space for her large Macomber loom in the store. But she does fabric dyeing on site at the shop and also yarn dyeing off site. Her colour sense seems very sensitive and sophisticated. And she seems so at peace with her passion for yarn. It struck me how much the personality of the yarn store owner affects the mood and atmosphere of the entire store. Each of these yarn store owners was vibrant and strong and passionate in their own way, and the shops they created expressed their very personality. Stepping into a yarn store is like stepping into someone’s personal closet, full of there most favourite colours and textures. It’s so revealing.

To end the day, we made our way to the Purl Soho warehouse in Orange County where Mari works and I had the opportunity to meet Jen, the co-owner of Purl Soho. The warehouse is divine. About two-thirds of the warehouse is stocked with shelves and shelves of knitting yarn… everything from Alchemy to Koigu to Manos… all the yummy stuff. And then the other third is filled with beautiful, contemporary quilting fabrics. I was so tempted to get Joelle’s quilting book, but I barely have time to knit for myself let alone start quilting. Instead, I found a few skeins of yarn that called out to me, including some Shibui Kid Merino and Koigu Mori (mulberry silk and merino sock yarn).

It is all kinds of wonderful that it was possible for me to meet up with Mari. Knitters are different than other people, and knit bloggers are even more rare. It’s a blessing to be able to share so much in common with friends from so far away. We should all be so lucky.

Second Chances

Friday, December 5th, 2008

A while back, there were a couple girls who emailed me requesting special orders of some handpainted yarn. They wanted the “Kill Bill” colourway on some non-superwash wool yarn. Now, “Kill Bill” is a pretty high contrast colourway… it’s deep heavy blacks sharply painted on a bright clear yellow backdrop with distinct blood red droplets. Somehow I knew it wasn’t a colourway that was going to work on the wool yarn… the nature of the colourway and the nature of the wool itself were incompatible. But my desire to please these girls who wanted this so badly somehow overrode the part of my brain that knew this was not going to work out.

Well, it was a bit of a mess. The blacks wouldn’t take in the yarn and the excess kept running out into the yellows, making everything a bit grey/green and hazy… The red dots bled (of course, silly) and ended up being huge salmon-coloured splotches. It was devastatingly ugly. AND then I had to apologize to the girls for the yarn not turning out. All because I was too chicken to say “No” and too optimistic to think it wasn’t possible.

So the ugly abandoned yarn sat in an ugly old cardboard box with some other ugly yarn disasters, never to see the light of day.

Then this year, during the move to the studio, I excavated all my yarn from the old house… the good stuff, the undyed stuff, the old stuff, and the ugly stuff. It became so obvious that I should overdye the yarns or that I should weave them for charity things… or both. The yarn was still fabulously squishy and it was still 100% fine merino wool … in face, nothing was “wrong” with the yarn at all. It was perfect and ready to be made into something.

So, I absentmindedly dyed one skein of disaster “Kill Bill” in fuschia and another two in a kind of spruce green kind of colour. It’s kind of my fall back… overdye everything in hot pink. Hot pink saves the day. If you dye, you’ll know that overdyeing with acid dyes never knocks out the other underlying colour. It’s more like a glaze… so whatever you put on top will still allow the underlying colour to shine through. So fuschia over clear yellow gives clear red… it’s pretty exciting (to me at least). And green over yellow gives… well yellowy green. Maybe it’s the pending holiday season working its subversive and subliminal charm on me, but somehow, I ended up with the cheesiest, most cliché colour combination: holiday red and green.

Yes, red.
And greens on Handpainted Sock.

Luckily, my mother was at the studio and helped me wind the back beam of the loom on Wednesday. It’s best done as a two-person job, but typically in the past, it’s been me scurrying around from the back to the front and back again repeatedly. And the back beam looks perfectly and evenly packed and solid. All my most recent weaving has been mixed up, messed up warps and so seeing this even, consistent warp has been kind of refreshing… and reminder that, yes, I can actually put on a normal warp.

Warp threads in the raddle…
… and on the back beam.

Disasters can be remedied. Every yarn is still a perfect and beautiful thing. It just needs to be cared for and used for its best qualities. There are delicate subtleties in the colour of the yarn that I can’t even describe… they just have to be seen and experienced. Wonderful things can happen when you give things a second chance.

More blanket photos next week…

San Francisco!

Thursday, September 22nd, 2005

_Yippee!_ I’m going to San Francisco in November for a little weekend in a bigger city! My husband’s childhood friend who now lives in San Francisco is pregnant with her first baby, so we want to fly down and visit the mom-to-be… PLUS, I want to do some shopping! Any recommendations on fantastic, must-see yarn shops in San Francisco? I’ll also be attempting to get myself to Carolina Homespun to try out a couple different spinning wheels and buy a _ton_ of fibre! _Yay!_

Soft spot for Soft Shetland

Monday, September 12th, 2005

A whopping 22 balls of Jamieson’s “new” Heather Aran in “Sholmit” (a light/med grey) is on its way to me from Anne at SheEweKnits — it’s destined for the DH’s Na Craga which I’m hoping to start soon. But then, I heard about this sale at [Jamieson's UK shop...](http://jamiesonsshetland.co.uk/servlet/shop/Shop?shop=56591) The old Soft Shetland colours are up for sale and are more than 50% off! Yep, it’s not even 9:30 am and I’ve bought more yarn.

Now, I’ll have enough Soft Shetland to make all those sweaters I’ve been considering — Fern, Little Rivers, Irish Moss… _Phew,_ I can see being occupied for _years_ with these projects…

So weak.

Monday, August 15th, 2005

On Saturday, I just _happened_ to be at Urban Yarns and just _happened_ to buy a little more yarn. I just felt like I couldn’t leave the store without it — heaven forbid _someone else_ buy up that yarn that I wanted…

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Handmaiden’s Angel Hair
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Yes, more Kidsilk Haze

That’s about 800 yards of Handmaiden’s “Angel Hair”, hand painted kid mohair and silk. I’m thinking this is comparable to Lorna’s Laces Heaven, except that Angel Hair is less than half the price. It’s $25 CDN vs. up to $70 USD for Heaven. I’m thinking about using this for the Meadow Flowers Shawl out of Knitters Stash.

And yes, that’s more Kidsilk Haze. Two balls in Smoke for Sharon Miller’s River stole. I’ll cast on for this after I finish Birch — only 26 more repeats to go!

about sweetgeorgia

Driven by an obsessive, passionate and often tumultuous relationship with colour, Felicia Lo is the owner of SweetGeorgia Yarns, an artisan yarn company that makes exquisite and luxurious hand-dyed yarns for knitting and fibres for spinning. She writes about all things knitting, spinning, dyeing, and weaving here at sweetgeorgia.

 

the studio

SweetGeorgia Yarns ::: Studio
#401-228 East 4th Avenue, Vancouver, BC V5T 1G5
near the corner of 4th and Main

Our live/work space at 4th and Main street is our production dye studio where we dye all our yarns. Knitters and spinners are welcome to get a glimpse into the world of hand-dyed yarn and experience a slice of the sweet life.

We're open to the public by appointment. Just give us a call!

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