archive | Weaving

Mixed warp scarves come to life…

Wednesday, October 1st, 2008

Yesterday, I had a chance in the afternoon to warp both the looms with mixed warp scarves. I managed to use up all my handspun laceweight merino/silk singles as weft for this scarf… and so I’ll have to go back and spin more in order to finish weaving this. So here it is for now:

Sheer, gauzy fabric

Since the weft is overspun singles, I’m hoping that when I take this off the loom and wash it, it will end up a little bit crinkly. I love the texture of this… nubby raw silks, silk boucle, handspun yarn and hand dyed yarns. It’s back to the spinning wheel for now.

But in the meantime, I’m working on this second scarf. The weft is 20/2 silk dyed in cutch and then overdyed in indigo, leaving a greenish grey colour that is so subtle and interesting. It ties all these mixed warp textures and colours together.

About 1/2 yard left to weave…

The weaving for these will be done soon and I’ll have to decide how I want to finish the fringe. Hmm.

From wallace+sewell to Textile Futures

Friday, May 23rd, 2008

Travelling to London has kept my interest partly because their designers, artists and craftsmen are so well supported and encouraged by the local councils that they appear to be able to innovate and create more. So for me, it’s not just yarn tourism… it’s the search for signs of future growth and the pushing forward of an entire textile and craft industry. I’m looking for something more than just the mechanical workings of a traditional hand loom or traditional fair isle designs updated in contemporary colours. I don’t know what it is, but I’m looking.

On the way, I get distracted by shiny, pretty things and some of the most vibrantly coloured, interesting and luxurious woven items I have found in London are designed by Wallace+Sewell, a pair of weavers who graduated from the Royal College of Art almost twenty years ago.

Wallace+Sewell. 24 Lloyd Baker Street, London WC1X 9AZ

Located at the corner of Amwell and Lloyd Baker Streets just south of the Angel tube stop, the shop is seriously tiny, but stacked from floor to ceiling with silk, cashmere and wool blankets and scarves. Last time I visited, they had a “pillow” event, so the centre of the shop was piled high with pillows made from their woven designs in all different colours and textures. This time, I think the silk organza scarves were new… and these plasticized fabrics too. This was some of the most intriguing work I saw… very contemporary and very topical. Selvedges from handwoven fabric was compressed with vinyl plastic in order to create a new “fabric” which was then made into handbags.

Okay, so they are cool and epitomize the re-use of scrap fabric… but they also cost £105.
Woven, stripey plastic jewelry!

I love love loved these. Scraps of woven silk fabric laid in quite a thick chunk of plastic making some really interesting bracelets, earrings and brooches. Just some very inventive ways of using up the little bits of extra fabric.

Silk organza in too many pretty colours.

And of course, perfectly sheer and delicately coloured woven silk organza scarves. Not entirely innovative, but still beautiful to see and touch.

Where else in the world is really, truely new textile design and innovation happening? And I don’t mean textile art. I mean functional textile design for use in fashion or interiors. Emphasis on functional. Where do we stop just making pretty things and start making things that improve people’s lives in tangible ways? For a while now, I have been following the work and research being done at Central St. Martin’s in their MA Design for Textile Futures, mainly because I was interested in possibly studying there (but can you say “hello, life long student loan debt”?), but also because there is no program like it anywhere. Where else do students create interactive wallpaper, light-reactive window shades, and “architectural textiles for localised urban food production and environmental monitoring”. I don’t even know what that means. But when you pair creative and innovative textile designers with Nobel prize-winning scientists… well, we can just be optimistic that our future lives will be benefitted by their new discoveries.

Sarah’s Loom

Friday, May 23rd, 2008

Sarah’s counterbalance loom is here in photos too:

I took pictures of the loom and warping mill. Just so you know, I will be asking $500 for the loom (including the bench, extra heddles, and a weaving book) and $200 for the warping mill (the mill would be about $400 new).

http://flickr.com/photos/-sarah-m/sets/72157605206896969/

Looms and yarn for sale!

Wednesday, May 21st, 2008

This is on behalf of Sarah MacKinnon, a fantastic weaver located in Vancouver who is unfortunately letting go of her yarn and looms… read on if you are interested!

I have finally decided to sell my yarn. What’s the best way to pass the message on? Do you know anyone who might be interested? It would be great to sell it as a lot, but if I have to, I could sell it in smaller amounts. I have estimated it to be worth approx $375 new, so hope to get around $200 for the lot.

Here’s a list of what I have Various colours - a mixture of full spools and partial spools: - 4/8 cotton (Approx 9 lbs) - 2/8 cotton (Approx 25 lbs) - rayon chenille (Approx 4 lbs) - cotton chenille (approx 2.5 lbs) - 2/16 mercerized cotton (equivalent of about 19 spools - 5500m each) - cotton boucle (Approx 5 lbs) - misc other bits (incuding some hemp, silk, and other stuff) Also rayon covering thread and Southmaid crochet cotton

Some photos are available here, but they do not include all of the colours I have: http://flickr.com/photos/-sarah-m/sets/72157605109775555/

I also plan to sell my loom, but haven’t taken any photos yet. It is a Leclerc Nilus 4-harness counterbalance. I think I should be able to get $500 for it and would include a bench. (The bench is a bit short and I always had to boost it up with bricks to get it to the right height. That’s why I would throw it in for free - bricks also included!) I’d also throw in a few other bits and pieces like a homemade raddle, and 2 lease sticks. I also have manual and electric bobbin winders, a warping mill, and a couple of shuttles. I haven’t come up with prices for those yet. Do you have anyone looking for equipment?

Any feedback or leads you might have for me would be much appreciated.

Weave me.

Saturday, April 26th, 2008

For some time now, I’ve been planning on weaving this mixed warp silk scarf for a friend of mine. The warp that I wound ages ago has been sitting in the living room whispering “weave me… weave me… I’m yummy.” The warp is all bubbly turquoise silk bouclé and aqua silk singles with a few skinny strands of 30/2 silk and tsumugi silk thrown in. Finally, this morning, I took advantage of the gorgeous warm sunlight to dress the loom and start weaving.

warp
The warp is all bubbly turquoise silk bouclé and aqua silk singles with a few skinny strands of 30/2 silk and tsumugi silk thrown in.

I warp from back to front, in this case, because I find there is less wear-and-tear on the somewhat delicate and fussy nature of the mixed warp.

Maintaining the cross using lease sticks
Threading the heddles
Tying loops to preserve the work

I find myself tying loops at every stage so that I don’t accidentally lose my work. So, after threading the heddles, I tie a group of warp threads together. I undo the slip knots as I need to when I sley the reed… and then again, tie a group of warp threads after sleying the reed. It keeps things organized and… safe.

This is the silk I’m using for weft

This is the 20/2 smooth silk I’m using for weft, all wound up on bobbins that fit in an end-feed shuttle. I’m hoping I’ll have enough to finish the whole scarf… fingers crossed.

Hemstitching the beginning of the piece

There’s a header of about five shots of big, fat mop cotton woven at the beginning of the piece… and then a bit of proper weaving. I pause at the beginning so that I can hemstitch a bit…

Oh yeaaah.

Now we have fabric… and yes, it is yummy.

If you live in Vancouver and are free on Monday evening, you might want to check out the Memorial lecture hosted by the Greater Vancouver Weavers & Spinners Guild. The speaker is tapestry artist, James Koehler, who will discuss how colour, structure and form focus his approach to design and how the landscape and cultures of New Mexico have influenced his work. The lecture will be held on Monday, May 5 at 7:30 PM in the Floral Hall at Van Dusen Botanical Garden, 5251 Oak Street (at 37th Ave.) in Vancouver. Admission is free to anyone who is interested! Unfortunately, I’ll be at work late on Monday and will miss the lecture… but if you DO go, let me know what you thought!

about sweetgeorgia

Driven by an obsessive, passionate and often tumultuous relationship with colour, Felicia Lo is the owner of SweetGeorgia Yarns, a handpainted yarn and design company based in Vancouver. Founded in 2005, SweetGeorgia Yarns is about intense, relentless and unapologetic colour in luxurious natural fibres and textiles. She writes about all things knitting, spinning, dyeing, and weaving here at sweetgeorgia.

SweetGeorgia Yarns Studio is located at #401-228 East 4th Avenue, Vancouver, BC V5T 1G5 near the corner of 4th and Main. We're officially open Tuesdays and Wednesdays from 9 am to 6 pm. Other times are available by appointment. Just give us a call!

recently on Flickr

People!DuskGreta's incredible orchidMore peopleand more peopleStudio guestsStudio guestsNibbles

recent comments

 

mailing list

Missing out on SweetGeorgia Yarns updates? Just add yourself to our list and we'll let you know when something moves.






search