sweetgeorgia

It’s what’s for dinner.

On the menu today, iron overdyed hemp yarns. Tasty.

For dessert, I think we’ve got some indigo overdyes too. Mmm.

Stretching to grow.

Without a doubt, I love me some sugar-crazed pink and red. But lately, I’ve been going completely out of my element and dyeing colours that I absolutely love but are just so unlike me.

The weld and walnut are from Earth Hues in Ballard, Seattle. The indigo is Maiwa’s natural indigo. And the silk is all different weights… fine 20/2 silk laceweight, dk-weight silk singles, heavy worsted silk/merino singles.

I’m experimenting and just trying to work with colours that I’m not entirely comfortable with… I’ll grow into these. The most interesting combinations are actually the walnut dyed silks that are overdyed in indigo… the result is this earthy green, dark gold colour. It’s almost impossible to describe.

Tangled up.

I’ve been making warps. Many many warps. Mostly because I have a lot of yarn lying around… naturally dyed, undyed, synthetically dyed, commercially dyed… omg, that’s a lot of yarn. Rather than using handpainted yarn throughout the whole warp, I’ve taken to mixing it up with a bunch of other solid coloured yarns.

The six-yard warp will end up as two 2.5 yard scarves or shawls (I haven’t decided… there’s still a lot of handpainted yardage remaining that I want to use up)… each one will be woven with a different coloured weft.

The bamboo was dyed in a pot with a bunch of other fibres and took on so much less dye. The dye pot was a mix of cutch, cochineal and iron in various combinations with silk and bamboo in the pot. I probably wouldn’t wear any of these colours on their own, but optically blended together, they become more interesting. The weft will likely be plain undyed bamboo, and then the whole piece will go back into the dye pot. Maybe more cutch. We’ll see.

Finally, this is the silk yarn that came out of the same pot. Unplied DK-weight silk yarn to be woven with some 2-ply cutch-dyed silk yarn… it might be overwhelmingly cutchy brown. Hmm. But luckily everything can be overdyed and re-worked. In fact, I dropped a small plain weave silk sample that I wove last year into a cochineal dye pot earlier this week… and you know, I LOVE it. Multiple dyes, overdyes, piece dyeing… I want it.

Reconsidering Natural

Reassess. Reconsider. Rediscover. You’ll note that I’m having difficulty writing full sentences right now. I still feel a little hungover from this weekend… I was quite fully and mercilessly drunk on the natural dyes and textiles from Maiwa’s Natural Dye workshop, led by Charllotte Kwon, owner and founder of Maiwa…

What I learned and received from the workshop was so much more than I had expected… and not just in terms of the fabulous reference binder of swatches, or the notes, or the technique (which is really just measure and cook)… It was really the appreciation of the work done by artisans everywhere, the understanding that the knowledge about these historic techniques absolutely must be preserved, and the overwhelming feeling of responsibility in everything we do… We dye, we spin, we weave. But how much and what kind of resources do we use? How much do we consume? How much do we waste? How can we change, adapt, improve our process so that we live more gently?

All this, combined with the October 2006 “Green City” issue of Vancouver Magazine, the launch of the “OneDayVancouver.ca”, and a million other tiny, niggling questions and contradictions in my head, have just been overwhelming to say the least.

What can I say? I got more than I paid for… and definitely in a good way.

Procion Mysteries

So! The vibrating pink silk scarf is off the table loom and I love it… after having overdyed it (scroll down…)

I’m currently playing with some new Procion MX dyes on silk and well, it’s a bit of a love/hate relationship. The results can be a little unexpected and I think it’s because I’m using soda ash as the dye activator. I’ve read that you can also use citric acid to activate the dye (plus heat) and that you are more likely to get a colour that is the same as the dye bath. See here…

Yeah, the colour COMPLETELY changed when I added the soda ash. It was like the blues disappeared entirely and I was left with magenta again. I love it anyway, but I want to try again for a deep, dark violet. With this yarn, I’m hoping to knit the “Silk Camisole” from Last Minute Knitted Gifts.

This result, however, was so very welcome. I overdyed the super pink scarf with 1/2 tsp of Navy Procion MX in order to “sadden” or desaturate the colours a bit. I got a lovely raspberry colour and will absolutely wear this — I love it! Thanks to June who suggested the overdyeing.

One thing that concerns me is using soda ash on silk — it takes away some of the sheen of the silk and makes the texture a little more “cottony” or rough… So the next thing I need to try is using the citric acid instead and adding heat. But the appeal of dyeing with Procion, for me, is that it can be done easily without much equipment — take your dye powder and table salt (although I used Glauber’s Salt) and dissolve it in warmish/cool water (105F); add your wet fibre/yarn/fabric and mix for 30 minutes; add soda ash and mix for 30 minutes; let it sit some more then wring it out and rinse (a million times) until clear. All you need is a dedicated pot. One pot dyeing.