sweetgeorgia

Phoenix Rising Shawl

When I first decided to move into the studio at the Watershed Building, I remembered thinking, “it’s so wonderful, there’s a little garden in the courtyard where you can go knit in the afternoons… and there’s a rooftop garden where you can see the entire city… ohh, I’ll definitely be spending time there…” After all these months of working at the studio, I’ve had very little time or cause to actually wander around the courtyard garden, but yesterday, I had a lovely visit from Sivia Harding and we had good cause to visit the garden. She brought me her Phoenix Rising shawl (also here on Ravelry) that she knit up in my CashSilk Lace yarn (Boysenberry, for those who want to know) and I got to hold it for photos!

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Deeper into Colour

The Coquitlam Guild gave me a chance to speak last Thursday about natural dyes and natural fibres, and while I did talk about my experiments with natural dyeing over the past few years, including starting up the Supernatural SweetGeorgia collection of naturally dyed yarns, I think I ended up talking about dyeing and craft and burnout. How do we renew and regenerate ourselves after burnout? Do we even come back to the craft which took us down in the first place? I related this to principles and values that I learned in the completely unrelated activity of surfing and talked about how it gave me back the balance, simplicity and focus, and the appreciation to even attempt to dye things again. I’m not sure my “surfing as metaphor for life” goes over in weaving and knitting circles, but it’s the honest truth about what I believe.

I talked about changing my dye practice from very sharply variegated colourways, requiring a shameful amount of plastic waste, and moving towards a more water- and energy-efficient workflow. That is the reason I have moved more towards kettle-dyeing, semi-solid shade colourways and multiple colour overdyes… so that I could better take advantage of the low-impact benefits of acid dyeing.

Also, I related to the guild members how natural dyeing is not a benefit to the environment for larger scale operations and noted how Lorna’s Laces Green Line ended up being dyed with conventional synthetic dyes.

Regardless of natural vs. synthetic dye sources, I’ve also tried to implement the colour principles that I learned from Michele Whipplinger including the idea of chromatic neutrals. That is, I’m trying to dye more complex browns and greys as opposed to colours that are so obviously… colourful. Colours that are slightly desaturated and more rich in depth.

I’m also working with a new 50/50 silk and merino laceweight base yarn. It’s a slightly heavier laceweight, but so glossy and gorgeous. It’s 765 yards in a 100 g skein and I’m looking forward to knitting up something like a Swallowtail Shawl in it. It has been, so far, taking the colour so well and I’ll be adding it to the online shop soon too.

There are so many things to learn and so many things to explore. I’m happy that I’ll be spending the summer dyeing more of these deeper, richer colours in preparation for the autumn.

Nefertiti Wrap

Back in January, I had the delight and pleasure of meeting Miriam Felton, designer of the lovely Icarus shawl from Interweave. She told me that after TNNA she was going to embark on turning her knit design endeavours into her full time livelihood. I was so inspired and encouraged to hear this and wished her well. So when I got back from TNNA, I pinged her on Ravelry and said that I’d like to send her some yarn… see if she’d like something to play with. I ended up sending her a few skeins of CashSilk Lace and she ended up making this…

It’s called the Nefertiti Wrap and takes about 2 skeins of CashSilk Lace. I do love the diagonal design to it… and also how it’s not a single lace pattern throughout. One lace patterns flows and melds into the next. Very very lovely.

I’m thinking about Nefertiti this afternoon as I collect my things and thoughts, on my way to speaking tonight for the Coquitlam Weavers & Spinners Guild. Public speaking always makes me intensely nervous, so I hope I don’t lose my voice, insult anyone, or make any other major gaffs… I’ll be talking about natural dyeing among other things. We’re starting at about 7 pm at Place des Arts. Fingers crossed that everything goes well. Yay.

CashSilk Fern

Back in the fall when I travelled to Japan, I brought along one single skein of CashSilk Lace to knit something on the plane. Some kind of planes, trains and automobiles kind of knitting. Lace that was easy enough to remember and interesting enough to keep me knitting. After a few false starts and frogging fits, I ended up with this lace pattern from A Treasury of Knitting Patterns… the diagonal fern lace… and now it’s a cashmere and silk scarf.

My scarf pooled a bit in some sections and not in other sections… but it was fascinating to keep knitting and seeing where the pooling might happen. Of course, you can bypass the drama by using a semi-solid or totally solid colour.

Since it’s super easy and super nice, I’ve done it up in a snazzy PDF plus handy lace chart for your enjoyment. Should you have a need for easy, but interesting lace…

Check out the CashSilk Fern pattern »