sweetgeorgia

February Fibre Club + Luxurious Fibres

It’s quite thrilling to be surrounded by a mountain of freshly dyed Wensleydale fibre for our new fibre club…

Wensleydale is crazy stuff. I was originally drawn to it when a fellow guild member was spinning up some hand dyed Wensleydale… it was kind of glossy and shiny like mohair, but slightly lighter and loftier. And it took colour so well! Since that time last year, I’ve spun up Wensleydale in several forms. From very fine 2-ply to make a thin but strong sock yarn to thick bulky lumpy bumpy singles that are weighty and glossy all at the same time. The fibre itself has a very long-staple and is very lustrous with a broad, wavy crimp. Wensleydale fibre is generally considered the finest of all the longwool breeds. When you first start spinning it, you’ll immediately notice the long staple length and adjust your spinning and drafting. However, you spin it, I hope you enjoy the colours! They blend upon spinning and create a lovely heathered and mottled look which I find a little mesmerizing.

And if you have some time tomorrow afternoon, think about joining us for the “Spinning Little Luxuries” session on Saturday, February 7th from 1pm to 4pm. We have space, four different wheels you can try out (Schacht Matchless, Schacht Ladybug, Louet Victoria, and Ashford Joy), and a TON of new fibre… including the cashmere and silk 50/50 fibre above. We just received two shipments of luxury fibre including yak, baby llama, black diamond carbonized bamboo, soysilk, silk+merino, camel+silk, cashmere+silk, tussah silk, and cultivated bombyx silk. You can still sign up for the class here: http://shop.sweetgeorgiayarns.com/collections/classes-at-the-studio/products/spinning-203-little-luxuries and I’ll also be offering many of these undyed luxury and exotic fibres on the shop site here: http://shop.sweetgeorgiayarns.com/collections/undyed-fibre.

Happy spinning!

So handspun it hurts

Use your handspun. It’s the only way you can determine if your spinning is any good. I read that somewhere and it’s stuck in the back of my mind all the time now.

Last May, I bought 1/2 lb of [Ashland Bay merino roving](http://blog.sweetgeorgiayarns.com/2005/05/roving_roving_roving/) from Penelope Fibre. It sat in the stash for a few weeks because I was intimidated by it and worried that I might ruin it. I sucked up the courage to start [spinning it laceweight](http://blog.sweetgeorgiayarns.com/2005/06/new_projects/). Finally, in January, I finished all the spinning and started knitting the [Lotus Blossom Shawl](http://blog.sweetgeorgiayarns.com/2006/01/light_at_the_end_of_the_tunnel/).

This is my real first, large-scale handspun and handknit project… and here it is off the needles:

####Lotus Blossom Shawl
* Pattern: from [Fiddlesticks Knitting](http://www.fiddlesticksknitting.com/LotusLarge.html), designed by Dorothy Siemens
* Yarn: Handspun Laceweight Merino (I have about half of my spinning leftover! So I must have used about 100 g)
* Needles: US 6 / 4.0 mm Addi Turbos
* Changes: I used a smaller needle size just because I didn’t have any other needles handy, so I had to knit chart 2 twice to give the shawl extra length
* Finished Measurements: 70″ x 35″ (definitely smaller than the pattern specs, just slightly bigger than my blocking board).

What are things that people always say about spinning laceweight… the singles need lots of twist to hold the finer diameter, take _all_ the tension off so that you can get lots of twist in, blah blah blah. This handspun is irregular in grist because I spun it over such a long period of time, was still getting a hang of spinning fine and also because I switched wheels part way through! But in some places, I think the yarn had so much twist that it became wirey and dense. If I were to do it again, I would spin it all a little softer.

This leads me to sampling. What a good idea. It’s like knitting a gauge swatch (which we _always_ do, right?!). How does the fabric feel knit at that tension with those needles. How about going up a needle size, going down a size? Is the fabric too dense? Too drapey? When your knitting with commercial yarns, the yarn itself is taken out of the equation — it’s your job to just pick the most appropriate needle size for that yarn (ok, I’m oversimplifying). But when you are _making_ the yarn, you need to look at how _your_ yarn works up as fabric and if it is appropriate — will it be hardwearing? Will it pill or fuzz? All those variables are under your control now. So, spin a little bit, knit a little bit. See if you like it.

That’s what I’ve done with this new project:

There’s about 2 oz of Cashmere/Silk 50/50 top that I bought from Deep Color Studio this past November… Again, nervous about spinning it up and ruining it. So I tore off a little piece and spun it up laceweight using my new highspeed bobbins and whorl (I’m using 19.5:1 for spinning singles “from the fold” and 17.5:1 for plying). I washed the yarn and have started knitting it up in Evelyn Clark’s “Trellis Scarf” pattern from the Spring IK magazine. I figured if I liked it, I could keep going. If I didn’t like it, I could just go back and modify how I’m spinning it. As it turns out, I like it.