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Every shade of white

Monday, March 31st, 2008

It’s breathlessly beautiful up here at Whistler Blackcomb. I’m almost tempted to not return to real life. Almost.

Getting to the Symphony Amphitheatre
Getting to the Symphony Amphitheatre

It’s pretty white up here though and sometimes all you see is miles and miles of white marked with tiny little coloured flags. But it’s fascinating to me… you think that all you see is white and nothingness, but really you see all the subtlety of light and shadow and every shade of white you can imagine. Cool white. Warm white. White in the morning light. White in overcast light. White in blindingly beautiful bluebird skies. I fully expect and look forward to being visually assaulted when I return to my yarns and dyepots next week.

Inspi(red)*

Wednesday, June 27th, 2007

Now that we’re pretty much exactly halfway through 2007 now, tell me, what’s the most inspiring thing you’ve seen or experienced in the past six months?

Maybe it’s because today is my loom’s one-year anniversary, I’m feeling all sentimental and wondering what I’ve been doing all year and what I’ll be doing on this day next year. Between now and next June, I’ll be attending a month of lectures and workshops at Maiwa’s symposium. So far, I’ve registered for Michelle Wipplinger’s Colour Institute II, Dabu Mud Printing, Ajrakh Blockprinting (including the masterclass) and the Working Traveller. I wonder if Charllotte will let me just pay rent and live at Maiwa East for the month of October… the place is already furnished.

Charllotte is also looking at arranging a Maiwa trip to India in February 2008 and I’m hoping that I’ll be able to participate in that. They’ll be travelling to a number of different villages where the dyeing and textiles are made for Maiwa. I’m not sure how long the trip is for, but if it’s only a couple weeks, I may choose to stay a few weeks longer on my own. Who knows.

Also, I’ve been looking at the Kawashima Textile School in Kyoto and possibly spending some time there weaving, dyeing and studying. This is the same school that Chisako Hisamatsu attended to get a more in-depth education in Kasuri (an ikat technique). You could live, weave, eat, sleep, and dye there for anywhere from a few days to a few years. Dreamy. Possible? Impossible? Who knows.

Where else can I go? Indonesia? Thailand? Sweden? Denmark? Hmm… My desire to live someplace warmer (seriously, I’m sitting next to my heater and it’s nearly JULY) has me thinking about the textile/fashion program at CCAC in California too (although San Francisco is not much warmer than Vancouver, bleh). Hmm…

My time in London was WAY too short and I’ll have to find my way back somehow. I didn’t, unfortunately, get to meet up with Amelia and her friends and would love to do that next time. There was a knitting exhibition at South Wimbledon that I missed because I was running around quite a bit (even though I was at Wimbledon for a couple days, grr) and of course the one day I picked to visit the V&A is the one day the textiles room was closed. What did I see…

The “New York Fashion Now” exhibition at the V&A. The DOBAG rug woven for the British Museum. Some of Preeti Gilani’s textile work… hand-dyed silk and Jacquard weaving. The room full of massive Mark Rothko paintings at the Tate Modern (I went to see this TWICE, I loved it so much). Helio Oiticica’s Body of Colour exhibition at the Tate Modern as well. And something I wish I had seen for real:

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Ptolemy Mann’s commission for Glaxo Smith Kline

Ptolemy Mann completely floors me. I’m absolutely in love with her work. What are you absolutely in love with these days? What inspires you now?

Okay, never thought I’d name a post after a GAP product, but hey, it’s all good. One of the only things I bought in London was a product Red t-shirt… african cotton made in Lesotho. It would make Jen proud.

Not so lost in Lesotho

Monday, December 18th, 2006

Today’s post is very, very special. My friend, Jen, a talented spinner/knitter/weaver herself, writes about her experiences travelling to Lesotho and the significance of the yarn industry there.

As a dedicated knitter I try to do my bit for yarn tourism whenever I go anywhere. I was recently visiting my friend, Mahesh, in Lesotho and Felicia has graciously granted me guest blogging rights to tell you about my yarn experiences there.

Some of you may not know where Lesotho is. I didn’t, until Mahesh moved there and I looked it up on a map. It is a small, mountainous country completely surrounded by South Africa. The mountains provide plenty of grazing land and as a result the Basotho people raise a lot of livestock — including sheep and goats. I strongly suspect (based purely on speculative observation, not statistics) that there may be more sheep, cattle, horses and goats in Lesotho than people — you can’t go anywhere without seeing some sort of grazing animal, usually accompanied by a herdboy dressed in Basotho blanket and some sort of hat. Some of you will be familiar with lovely South African mohair (for instance, Be Sweet, which you can find here in Vancouver at Urban Yarns) — well, Lesotho produces mohair as well. So I was pretty excited to see what Basotho yarn tourism had to offer.

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Rug weaving

First, I visited [Elelloang Basali Weavers](http://www.africancraft.com/artisan.php?sid=76069721454232588809650922363153 &id=elelloang). I would have missed the building entirely were it not for the clotheslines festooned with newly dyed yarn, drying in the sun in the yard next to the road. The inside of the building is inspirationally lined, floor to ceiling, in columns of pop and beer cans (how many Fantas does it take to weave a rug?). Inside, 3 or 4 women were busily weaving blankets and rugs on basic, 2×4 framed tapestry looms. I watched them painstakingly weaving small sections of complex patterns using their fingers — this is nothing like using a big floor loom or even a table loom. Awed into submission, I bought a rug for probably more than I should have paid, thinking, if these women can spend that long on weaving one inch of rug, I can certainly pay for it.

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A spinning wheel made from a bicycle wheel

Remembering my stash, I then plucked up courage to ask about yarn. It turned out that not only do the Elelloang Basali Weavers weave, they also prepare, spin and dye their own yarn. The spinning takes place on a simple, homemade wheel made out of a bicycle wheel (making me think of Charkas for Africa, affixed again to a basic wooden frame. Here is a photo of one of the weavers pretending to spin for my benefit (for the camera, of course, as the wheel wasn’t set up, as you’ll see if you look closely!). Awed again at the thought of how long it must take to spin a rug’s worth of yarn on a bicycle wheel, I then bought a kilo of worsted-weight washed mohair yarn.

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Lesotho Landscape

Still reeling from the pop cans and the yarn, we got back in the car and drove to Leribe, a bustling town in north-western Lesotho, stopping along the way to take photos of the sublime scenery. I wanted to visit Leribe because of the Leribe Craft Centre, which was set up to provide support for disabled women. It turns out that Leribe offers entirely different products than Elelloang Basali… beautiful, finely woven scarves and shawls, gorgeously patterned tablewares, and even intricate knitted and crocheted shawls that made my own attempts rather humbling. And all done in the same soft, fine mohair that took my breath away. I bought shawls and scarves there for everyone I knew and then peered over the shopgirl’s shoulder and saw this:

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Floor-to-ceiling handspun mohair yarn room

Babbling incoherently, I somehow made it known that I wanted to go inside and look. I successfully fought off the temptation to throw myself on the pile of mohair (just how comfortable is a 6-foot-high pile of mohair?) and restricted myself to fondling it. It transpired that the shopgirl herself had spun most of it and to my surprise she was kind enough to make a gift of some to me. Here I am, weighing my mohair, surrounded by yarn. Do I look giddy?

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Giddy Jen, weighing mohair
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Bart, the sheep-about-the-house

That was it for yarn tourism in Lesotho, but here is a gratuitous sheep photo. This is Bart (who knows how to pose for the camera), the sheep-about-the-house at Malealea Lodge, a lovely place high up in the mountains that you should all visit once in your life just to see the view.

The special thing about my Lesotho yarn experience is that it brought home to me just how spinning and weaving is still very much women’s livelihood in many parts of the world. In a place like Lesotho, where there is a high prevalence of HIV/AIDS and many men work as migrant labourers in South Africa, the ability of women to support themselves becomes especially important. So think about where your yarn comes from the next time you supplement your stash, and do your bit by buying products from organizations like Be Sweet and Leribe Craft Centre, to support women who, like you, love to spin and weave — but for whom every metre spun, every inch woven, goes to support their families.

– Jen

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Gone Surfing.

Tuesday, August 22nd, 2006

So… remember my birthday that just passed? Well, this is my birthday gift from some of my friends:

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Getting into the water for the first time. Cox Beach, Tofino. Photo courtesy of Pacific Surf School.

Yep. I got surf lessons!

On Friday morning, Michelle, Adam, Jayne, Desmond, Rich and I left for Tofino, stopping along the way in Coombs at the “Goats on Roof” market (yes, there are actually goats that live on the sod roof of this market!). It’s about a 5-hour trip including ferry and driving time… but so worth it…

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Hiking in our wetsuits on Sunday morning, Sunset Point at Cox Beach. Photo courtesy of Pacific Surf School.

The plans for this weekend only finalized a couple weeks ago and by that time practically all the accommodation in Tofino was fully booked. The only accommodations I could find were camping on the golf course or the Tofino Botanical Gardens. Luckily, we stayed at the botanical gardens. There is a new hostel-style facility called the Clayoquat Field Station (CFS) where students and researchers come to learn more about Clayoquat Sound… funny thing though, most of the guests were other surfers…

There are eight dorm rooms that hold four guests each for only $32 per night. It includes hot showers, a shared dining area and lounge, as well as a shared kitchen for cooking. It was wonderful to be able to use the big kitchen to cook our dinner on Friday night (thai green curry with tofu, brown rice and lentils) and breakfasts on Saturday and Sunday. The restaurants in Tofino are a little pricey (dinner entrees from $26 and up) so I think we were pretty happy to have the opportunity to cook for ourselves. There was also a twilight yoga class at the CFS on Friday evening which Rich and Jayne took while the rest of us cooked dinner. If I were to go back to Tofino, I’d choose to stay at the CFS over The Wick any day.

We had two days of lessons (three hours from 9 am to 12 noon) from Pacific Surf School on Saturday and Sunday, plus we got to keep all our equipment to play with all Saturday afternoon. We ate lunch on the beach and I, of course, forgot to reapply sunscreen so now I have this ridiculous wetsuit tan that ends halfway down my neck! The weather was incredible and the water wasn’t as cold as people had warned. For the 7 or 8 of us in the lesson, we had two Aussie instructors — both super friendly and great instructors… lots of theory on how the ocean works plus 3D diagrams in the sand to illustrate different kinds of waves and currents. We spent both days at Cox Beach (right where the Long Beach Lodge Resort is) and it would have been nice to see some of the other beaches, but that’s for next time, I guess! And wow, what an amazing feeling to be standing up on a wave! Seriously, seriously addictive. I’m already trying to figure out when I can go again…

A weekend with no cell phone access, no computers, no email, no television… so good. We sat around in the evenings and talked, drank yummy wine (Gray Monk Kerner and Sumac Ridge Gewurztraminer), read Adam’s surf magazines and did lots of knitting — Michelle on her Noro Silk Garden scarf and me on my Diamond Fantasy Shawl and Sizzle. I did more knitting during these past few days than I have in months.

It was such a nice weekend that when we found out that all the Sunday ferries were full (by 6 pm) it didn’t seem to bother us (well, except Dez who had to work on Monday morning). So we hopped on a different ferry, spent Sunday night on Salt Spring Island and then caught the 6:15 am ferry back to Vancouver on Monday morning. That’s a sign of a good trip, eh? When you just don’t want the weekend to end.

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Hooking and Dyeing.

Monday, June 19th, 2006

Sounds pretty bad, doesn’t it?! Sounds like I lost my mind and my morals in Vegas, doesn’t it? Heh heh. No, really. Our flight from Vancouver was supposed to leave at 8 pm on Sunday evening, getting us into Vegas just past 11 pm with enough time to partake of some of that “what happens here, stays here” type activity. Instead, our flight was delayed by FOUR HOURS and we got into hotel at around 4 am on Monday morning. But, what did I do for FOUR HOURS?

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Silk makes for happy times

I re-learned how to crochet.

Yes, with the help of the Happy Hooker, herself, I started crocheting the “Short n’ Sweet” lace bolero with the DK-weight silk I dyed last week. Just as I’m sure new knitters find knitting instructions to be bizarre and vague (kfb, wyib, yo, wtf?), crochet instructions are just as weird and scary… double, triple, half, double triple, double half half… sounds like you’re ordering coffee.

As for Vegas, I have no photos. Not a single one. We were just too busy. The conference itself was inspiring, as always. The speakers are invariably energizing, engaging, and worth the price of admission. I tried to avoid the sessions that would most likely be portfolio shows, but did sit in on the 1.5 hour long presentation by Stanley Hainsworth, the global creative director for Starbucks. To be in charge of the design of the Starbucks experience, worldwide… Pretty cool.

It was too bad that Drew and I never met, but I didn’t see anyone else knitting… although I did meet a guy whose wife does felting and another girl who has a friend who does quilting…

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about sweetgeorgia

Driven by an obsessive, passionate and often tumultuous relationship with colour, Felicia Lo is the owner of SweetGeorgia Yarns, a handpainted yarn and design company based in Vancouver. Founded in 2005, SweetGeorgia Yarns is about intense, relentless and unapologetic colour in luxurious natural fibres and textiles. She writes about all things knitting, spinning, dyeing, and weaving here at sweetgeorgia.

SweetGeorgia Yarns Studio is located at #401-228 East 4th Avenue, Vancouver, BC V5T 1G5 near the corner of 4th and Main. We're officially open Tuesdays and Wednesdays from 9 am to 6 pm. Other times are available by appointment. Just give us a call!

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