sweetgeorgia

I knit.

Yes, in fact, I do still knit. Unfortunately, I don’t think I am particularly productive… my knitting speed is not terribly bad, but I just never seem to finish things… all the while, I have a million things I want to make. I think one of the Twist Collective issues had an article about knitting productivity. Something about always asking yourself if you are knitting… if not, why not? It’s not about knitting fast, it’s about always knitting. It is, of course, a little bit difficult to always have knitting in your hands when you are busy mixing dyes and bookkeeping, or lesson planning and warping, but that is probably the same as anyone with a day job. I don’t have a television, so there’s very little sitting-down time. Some days, I fantasize about afternoons where I have no responsibilities, no phone calls to make, no emails to answer… and I can just sit and knit for hours at a time. Maybe that day will be today. It’s sunny and warm in Vancouver today. It’s Friday.

Here’s what I’m actually knitting:

I guess it’s a recurring theme… the need to focus on one direction. I don’t know if this is a lesson I will ever fully learn. I’m just too easily distracted by lovely, engaging things.

On a totally different tangent, I was so happy to see Alexa’s yarns up on her blog… several weeks ago, she was in our dye class at the studio and produced some beautiful hand dyed yarns.

Another student came by the studio this week to show me some of the panda roving she spun up recently… so utterly fabulous… that and her “Wicked” sweater in Cascade 220 complete with front pocket (I love it and am tempted to make one now). A few girls have contacted me about renting wheels to try their hand at spinning and I’m constantly delighted that there are new spinners being born each day.

The weather is getting phenomenal in Vancouver and in the upcoming weeks, I’d love to host a little spin-in at the studio… most likely on a Saturday afternoon. Possibly May 23rd? We’ll see. Drop me a line if you might be interested in coming with your wheel… or your knitting… ’cause, as you know, I do still knit.

CashSilk Fern

Back in the fall when I travelled to Japan, I brought along one single skein of CashSilk Lace to knit something on the plane. Some kind of planes, trains and automobiles kind of knitting. Lace that was easy enough to remember and interesting enough to keep me knitting. After a few false starts and frogging fits, I ended up with this lace pattern from A Treasury of Knitting Patterns… the diagonal fern lace… and now it’s a cashmere and silk scarf.

My scarf pooled a bit in some sections and not in other sections… but it was fascinating to keep knitting and seeing where the pooling might happen. Of course, you can bypass the drama by using a semi-solid or totally solid colour.

Since it’s super easy and super nice, I’ve done it up in a snazzy PDF plus handy lace chart for your enjoyment. Should you have a need for easy, but interesting lace…

Check out the CashSilk Fern pattern »

Warping for plain weave workshop

Last week, I received my warp for the upcoming Jane Stafford workshop and have just started warping the table loom in preparation. I’m going to be using a Schacht 15″ 4-shaft table loom and have started warping from front to back. The warp is destined to be “plain weave with supplementary warp” and came all nicely chained up in a bag with detailed instructions and weft yarns. Looks like most of the yarn is 2/14 linen and 3/30 linen sett at 12 epi. I’ve never worked with linen before, so this is a completely new experience for me. So far, I’ve discovered that linen has a mind of its own.

I’m pretty sure linen likes to be warped from back to front, but I don’t own a raddle and my efforts to make my own raddle from a piece of plywood and spare nails have been delayed… because I need nails, or can’t find my hammer, or some such fuss. Besides, I like sorting out the warp threads and colours first and making sure that it’s all correct before everything gets wound onto the back beam.

I’m also trying to salvage this beautiful cotton warp. It was originally put on the small table loom and then I decided that I wanted to re-sley it for a tighter sett… so I cut it off the loom, maintaining the cross, and now I am just reassembling it on the big Spring loom. It’s now sett at 30 epi for a nice warp-faced look.

It’s finally the weekend, and I have new toe-up socks on the go.

Moving forward on all fronts

I am inching towards completion of many, many things. Yes, indeed, that is five pairs of socks at my desk. Not including the two pairs that are currently in my knitting bag. I don’t think this is the ideal situation, but things are the way they are. I knit two rows on one then two rows on another… two rows is about all my attention span can handle right now. Having finished a little February baby sweater for a friend (she’s due anytime now!), I’m satisfied with just working on simple stockinette socks… that have been in my in-progress bin for the past five years.

There is this handwoven scarf on the loom that is distracting me… the kettle-dyed colours of Malabrigo plus the texture and groundedness of the tsumugi silk weft and making me very happy. I have maybe 10 or 12 inches more to weave and then it will be cut off and washed. It seems silly that after all the expense and space of getting a 44″ wide 8-shaft loom, I end up weaving 9″-wide scarves in plain weave. Nothing makes me happier. Maybe one day, I’ll become one of those pattern-structure weaver types and lust after some computer-driven crazy shaft loom… but not likely.

Actually for three days in March, I’ll be attending Jane Stafford’s weaving workshop, “Pushing the Boundaries of Plain Weave”. It’s hosted by the Greater Vancouver Weavers & Spinners Guild and about 14 or 15 students will be doing a round-robin style workshop where we’ll all weave on each other’s looms and take home a complete set of samples. I’m really looking forward to experimenting freely with my very beloved plain weave.

Yet another plain weave scarf from both handspun warp and weft. It’s hand dyed blue face leicester handspun in the warp, 2-ply and about DK weight, plus very fine merino laceweight weft (the same yarn I used to knit the Lotus Blossom Shawl ages ago). Seeing as how there is about 10 cm of snow in tomorrow’s forecast, this brand new scarf might just come in handy.

Our weaving studio classes just started last Wednesday and we’re getting the first sampler warps on the looms. Plain and simple Quebecoise wool in bright, happy colours. I’m excited to see these samples start to take shape for the students.

This past month, I’ve found myself at the studio nearly full-time. And even though we don’t open the studio to the public on all days, I’m here bright and early every day… winding bobbins, skeining yarn, receiving orders of natural dyes from Earthues, dyeing yarn, weaving, spinning, knitting, doing my accounting and designing. Hours and hours are spent updating the website and entering inventory. Daily, I get calls to advertise in this medium or that. But even though I am constantly, productively doing things, I still feel like completion is always so far away. Bobbins are full and need to be plied. Those few inches could be woven off. That other loom needs to be warped. And I’ve got this pattern here that I need to finish writing out…

Using your handspun

Sometimes when I’ve spent a zillion hours dyeing the fibre, spinning fine singles yarn, then plying the yarn (ending up with half or even a third of the original yardage) and then soaking and setting the yarn… I feel done. All I want to do is just want to rest and stare at the lovely yarn I’ve spun. My eyes travel along each strand of the yarn, inspecting the twist, the consistency (if any!), and the oh so subtle shift in hue. It’s literally mesmerizing. And then the handspun yarn that I’ve lifted to “too precious” heights ends up sitting there on the shelf for ages, admired and loved from afar. It’s too bad, because handspun yarn calls out to be used.

When you made the yarn, didn’t you have things in mind for it? Didn’t you design it as a 3-ply instead of 2-ply because it would be stronger? Incorporate nylon binder for added durability? Did you strip the handpainted roving lengthwise or crosswise to select for colours? Of course. When you spun the yarn, you designed it for a purpose that was already in your mind. Sure, sometimes it’s relaxing to spin mindless bits of gobbledygook, but most of the time, I have reasons for all the teeny tiny decisions I made during the handspinning process.

Lately, I’ve been going through my handspun yarn stash determined that no yarn is too precious to use. And so some of the very first Navajo-plied handspun yarn that was originally destined for socks is now being knit into Elizabeth Zimmerman’s Baby Surprise Jacket. Actually, my thinking was that this lovely yarn was too nice to be pushed into boots and worn underfoot. Now, I do think that I’ve muffed the instructions for the jacket though… forgetting where I left the instruction book for a few days and trying to figure it out on my own… never a good idea. I see that they have these BSJ “Row Keeper” notes on Ravelry… seems like a good idea. I’ll have to go back and start counting.

Handspun yarns in weaving… I think I had always heard not to put handspun yarn in the warp, but really, it’s about making decisions while spinning that will make your handspun suitable for weaving. Warp yarn needs to be strong (handspun or not, cashmere yarn in the warp REALLY blows), so that it can withstand high tension and abrasion by the reed and heddles. So make your joins in the handspun yarn nice and strong. Plying your yarn adds strength too, although Paula Simmons swears by singles yarn (says she’s never plied in her life). And if you really want to put slubby singles on your loom as warp, maybe try to find heddles that will stretch or bend to accommodate the yarn (like texsolv…).

Yesterday, I received a shipment of the new Schacht Cricket Looms and managed to quickly warp one up with my handspun merino and silk yarn. I know some weavers will turn up their noses at rigid heddle looms, especially one that is tiny and only 10″ wide, but rigid heddle weaving is seriously one of the quickest ways for people to see how weaving works. I was able to build the loom, warp it, and start weaving on it within an hour. It’s a good, inexpensive way to dip your toe in the water and see if the weaving bug bites. For me, it offers nearly instant gratification to see my handspun in woven fabric.

Handspun yarn is beautiful. It’s full of life and precious… but nothing is too precious to use and enjoy.